Published
On trends (in Fashion)
Whatever people pursue and admire is a trend.
Fairy Wang in “Fairy Tales” by Rongfei Guo (2015)
It moves like a ferris wheel.
Going round and round and keeps repeating itself.
Published
Whatever people pursue and admire is a trend.
Fairy Wang in “Fairy Tales” by Rongfei Guo (2015)
It moves like a ferris wheel.
Going round and round and keeps repeating itself.
Published
Current trends in fashion seem to be mostly self referential, in the sense that the clothing designs feed off (street)style and archival pieces/references. This creates a strong image that is coherent but refreshing as it’s based on designs and styles that float around in the subconscious minds of the wearer and creator simultaneously (at least amongst those that closely follow/relate to the fashion world). Extending beyond this realm of reference, it has become apart that a wider perspective on art has become a secondary source of inspiration (e.g. music, sculpture, painting).
Although it seems to be aspirational for many to become familiar with these reference points that have instigated pieces of contemporary fashion, it has become less important to know (or show, in the designs) a cultural background and history. Taking Louis Vuitton (Virgil Abloh) and Givenchy (Matthew Williams) as examples here, there is a certain influx of American perspectives within the fashion world (and within traditionally Parisian houses). But also beyond that, when you look at Balenciaga for example, Demna Gvasalia (Georgian) uses inspiration found in Eastern Europe. This however often seems to be a referencing a certain styles, which in turn is often an aspirational versions of an American one.
Is it possible to express locality in fashion design? Within the current day and age, in which everything is instantly shareable and readable online, is it even appropriate? Or is that precisely the reason why it would be important to share local identities, exactly because we are so connected and therefor loose a sense of place within the world?
How does expressing locality within fashion design look like? Is clothing design the same as fashion design? Can clothing more effectively represent a local identity than fashion, as fashion suggests a globally shared acceptance of something being “fashionable”?
Published
Here at Hermès we use an equestrian phrase that seems particularly apt in this day and age: ‘Straight ahead, calm and poised.’ Fashion maintains a strange relationship with time: it consumes it. Yesterday tends to be devalued in favour of novelty, supposedly the only carrier of the future, but modernising does not mean throwing away the time that came before. We can’t erase the past. The frantic and superficial aspect of fashion is not helpful and doesn’t interest me. We should focus on creation first. I am optimistic: we are all artisans of innovation!
Véronique Nichanian of Hermès, in Fantastic Man No.32 (F/W 2020/21)
Published
Fashion brings joy, inspiration and beauty to many, but increasingly it seems like an unmanageable beast stuck in a rigid and unsustainable set of parameters that is has constructed around itself as it tries to plough ahead in the distracting and pleasurable business of producing new and desirable garments.
Issue No. 32 (FW20/21) of Fantastic Man